Historically, New Orleans has been regarded as a city deeply rooted in its past. For Prospect.6, Co-Artistic Directors Miranda Lash and Ebony G. Patterson will posit New Orleans as a globally relevant point of departure for examining our collective future as it relates to climate change, legacies of colonialism, and definitions of belonging and home. 

What if New Orleans, a predominantly BIPOC city deeply impacted by hurricanes, receding coastlines, histories of violence, and a cyclical commitment to celebration, was considered a harbinger for the world that is to come? This framework postulates New Orleans, along with other more climate-vulnerable regions in the world, as already living in the “future” that other places will experience. With alarming speed, more regions of the world are experiencing the immediate effects of climate change and dramatic shifts in economic and government function. New Orleans is thereby approached as a gift to the rest of the world in its ability to offer lessons and examples for how to live in constant negotiation with the weather, grounded within a community that reflects the global majority, and in direct proximity to the effects and aftereffects of colonial and exploitative economies.

We regard New Orleanians as Prospect's first audience. In our collaborations within the city and other regions often framed by tourism, stereotypes, and service economies, we strive to honor the people who manifest the vibrance of these creative communities. We are asking: what does it mean to speak "from" a place, rather than "at" it? If a biennial or triennial is traditionally considered in relation to its "host" city (a term with parasitic implications), what does it mean to "hold" a city, a gesture that suggests care and reverence? 

Susan Brennan Co-Artistic Directors

Miranda Lash. Courtesy Prospect New Orleans

Ebony G. Patterson. Photo: Frank Ishman

Miranda Lash

Ellen Bruss Senior Curator, Museum of Contemporary Art Denver

Miranda Lash is the Ellen Bruss Senior Curator at the Museum of Contemporary Art Denver. Lash has organized a wide range of museum exhibitions including Eamon Ore-Giron: Competing with Lighting/ Rivalizando con el relampágo; Jason Moran: Bathing the Room with Blues; Keltie Ferris: *O*P*E*N*; the traveling retrospective Mel Chin: Rematch; Camille Henrot: Cities of Ys; Rashaad Newsome: King of Arms; Swoon: Thalassa; and Quintron and Miss Pussycat: Parallel Universe, Live at City Park. In 2016 Lash and Trevor Schoonmaker co-organized the acclaimed exhibition Southern Accent: Seeking the American South in Contemporary Art. From 2008 to 2014, Lash was the founding Curator of Modern and Contemporary Art at the New Orleans Museum of Art. Her most recent projects include Tomashi Jackson: Across the Universe, a traveling survey and monograph of Jackson's work; and Cowboy, a large-scale traveling exhibition on the myths and realities associated with the American cowboy, co-curated with Nora Burnett Abrams, the Mark G. Falcone Director of MCA Denver.  

Lash currently serves on the board of the Joan Mitchell Foundation and was a 2022 Fellow with the Center for Curatorial Leadership. She has been a Clark Fellow at the Clark Art Institute, a panelist for the National Endowment for the Arts, and a member of the artistic director’s Curatorial Council for Prospect.4. She holds a BA with honors from Harvard University in the History of Art and Architecture and an MA from Williams College from the Graduate Program in the History of Art.

Ebony G. Patterson

Artist

Ebony G. Patterson's expansive practice addresses visibility and invisibility, through explorations of class, race, gender, youth culture, pageantry and acts of violence in the context of "postcolonial" spaces. With the strong sensibility of a painter, Patterson works across multiple media - including tapestry, photography, video, sculpture, drawing and installation - united by her consistent visual language and intention. Each work is intricately embellished and densely layered, in order to draw the viewer closer and to question how we engage in the act of looking. The idea of the garden, both real and imagined, has formed an essential arc of Patterson's practice. Framing the garden as an active site of power, Patterson explores it as a metaphor for "postcolonial" space and an extension of the body.

Patterson received her BFA in painting from Edna Manley College of Visual and Performing Arts in Kingston, Jamaica in 2004. She received an MFA degree in 2006 in printmaking and drawing from the Sam Fox School of Design & Visual Arts at Washington University in St. Louis. Patterson has taught at the University of Virginia, Edna Manley College School of Visual and Performing Arts, Associate Professor in Painting and Mixed Media at the University of Kentucky, and was the Bill and Stephanie Sick Distinguished Visiting Professor at the School of the Art Institute of Chicago. Her work is in the public collections of 21c Museum and Foundation, Louisville, Kentucky, Los Angeles County Museum of Art, Los Angeles, CA, Nasher Museum, Duke University, Durham, NC, National Gallery of Jamaica, Kingston, Jamaica, Pérez Art Museum Miami, FL, Speed Art Museum, Louisville, KY, Studio Museum in Harlem, New York, NY, The Whitney Museum of American Art, New York, NY, among others. In 2021, Patterson was included in both the Liverpool and Athens Biennials. She lives and works in both Chicago, IL and Kingston, Jamaica and is co-represented by Monique Meloche Gallery, and Hales New York/ London, who will co-present Ebony’s monumental installation from the Liverpool Biennial at The Armory Show NY in Platform section curated by Tobias Ostrander.

Prospect Staff

  • Nick Stillman

    Executive Director

    Nick Stillman is Executive Director of Prospect New Orleans. Prior to joining Prospect, Stillman was President & CEO of the Arts Council New Orleans. Before the Arts Council, Stillman taught Modern & Contemporary Art History at the University of New Orleans and was Managing Editor of BOMB Magazine. He has organized exhibitions of artists such as Kalup Linzy and Joe Bradley for PS1 Institute of Contemporary Art and has written for Artforum, Flash Art, The Brooklyn Rail, and many other publications. He lives in Austin, TX with his partner Heidi and their daughter Frankie.

  • Taylor Holloway

    Deputy Director

    Taylor Holloway is Deputy Director of Prospect New Orleans. Taylor is a designer, architect, and educator who uses design-driven approaches to promote equity in the built environment. As a biracial woman, first generation college graduate, and individual who has experienced the U.S. foster care system, issues of creative voice, healing, and belonging are intrinsic to her work. Prior to joining Prospect, Taylor facilitated the creation of people- and community-centered design solutions at myriad organizations including StudioBE, Southeastern Louisiana University, YouthBuild USA, University of Johannesburg, SITE Santa Fe, and the Graham Foundation for Advanced Studies in the Fine Arts. Additionally, Taylor is an Organizer in the Design As Protest Collective and the Founder of Public Design Agency, an organization that utilizes design-thinking and creative expression to equip future artists, designers, and change-makers.

  • Andrew Rebatta

    Director of Curatorial Affairs

    Andrew Rebatta is the Director of Curatorial Affairs for Prospect New Orleans. Andrew has organized exhibitions, performances, screenings, and talks for museums and contemporary art spaces in the US, Canada, and Mexico. Andrew spent his formative post-undergrad years throwing art shows and playing records in Chicago and DC before returning to his hometown of New York City, where he was most recently Associate Curator at the Museum of Chinese in America. Andrew's recent research has been delving into the diasporic relations that have influenced his curatorial practice of interpreting the poetics of immigrant material culture, particularly through audio recordings.

  • LB Barfield

    Exhibition Manager

    A New Orleans native, LB Barfield is the Exhibitions Manager for Prospect and served as the Associate Exhibitions Manager and Chief Preparator for P5. They have over 15 years of experience in exhibitions, and came to Prospect after 11 years at the Contemporary Arts Center, New Orleans where they oversaw numerous major exhibitions including Cecilia Vicuña: About to Happen, Hinge Pictures: Eight Women Artists Occupy the Third Dimension, Mickalene Thomas: Femmes Noire, among others. LB has also served as the Exhibitions Manager and Chief Preparator for the Rivers Institute for Contemporary Art & Thought, a curatorial organization that has produced exhibitions in New Orleans and the California African American Museum in Los Angeles. LB is passionate about advocating for and supporting members of marginalized communities as artworkers, with an emphasis on women, people of color, and those in the queer community.

  • Kalea Cook

    Programs and Audience Manager

    Kalea Cook is the Programs and Audience Engagement Manager at Prospect New Orleans. Before joining Prospect, Kalea worked with community based and youth organizations such as Upturn Arts, New Orleans African American Museum, and the Urban League of Louisiana’s Project Ready program. It was in these spaces that she learned to fuse her personal experiences as a musician, student, and New Orleans youth with her innate ability to work with and care for her students. Kalea received a Bachelor’s of Music in vocal performance from Xavier University of Louisiana as a first generation college graduate. She has performed in solo and ensemble settings with the Louisiana Philharmonic Orchestra, at the Louisiana State Museum, and New Orleans Jazz Museum, among other venues. Alongside her work at Prospect, Cook currently serves as Program Coordinator for YAYA Inc, continuing her work to positively influence the New Orleans community she grew up in.

  • Caroline Cox

    Curatorial Fellow

    Caroline Cox is a Louisiana native and the Curatorial Fellow for Prospect New Orleans. Prior to joining Prospect, Caroline held curatorial positions at the Whitney Museum of American Art and the Smithsonian American Art Museum. She is passionate about community engagement through art and served as an AmeriCorps member at the Notre Dame Center for Civic Innovation. She introduced students to everything from Gutai to the quilts of Gee’s Bend and developed a class for middle schoolers called Storytelling through Art. Caroline has a BA in Art History and Economics from the University of Notre Dame, where her honors senior thesis explored race, landscape, and cultural memory in the work of Dawoud Bey and Kevin Beasley.

  • Tarah Douglas

    Communications and Storytelling Manager

    Tarah Douglas is the Communications and Storytelling Manager at Prospect New Orleans. She is an artist and professor at Parsons School of Art and Design at The New School where she was a 2022 Mellon Initiative Faculty Fellow. Prior to joining Prospect, Tarah was the gallery director at Project for Empty Space. She has provided digital and PR strategies for creatives, artists, and organizations like Express Newark at Rutgers University, Editions/Artists’ Book Fair, and PULSE Contemporary Art Fair. Tarah holds a BFA from the University of Michigan and an MFA in Photography from the Yale School of Art. She is currently a Whitney Independent Study Studio Fellow.

Prospect.6 Curatorial Advisory Committee

The sixth triennial will emphasize New Orleans as a point of departure for examining our collective future as it relates to climate change, legacies of colonialism, and definitions of belonging. This commitment to building an international conversation centered around issues germane to Louisiana has directly informed the expertise sought in the Co-Artistic Directors’ Curatorial Advisory Committee, which consists of Ron Bechet, Artist & Victor H. Labat Professor of Art, Xavier University of Louisiana; Zoe Butt, Curator and Writer; Raphael Fonseca, Associate Curator of Modern & Contemporary Latin American Art, Denver Art Museum; Tumelo Mosaka, Mellon Project Director and Curator, African American and African Diaspora Studies, Columbia University; Krista Thompson, Mary Jane Crowe Professor of Art History, Northwestern University; and Dyani White Hawk, Multimedia Artist & Independent Curator.

  • Ron Bechet

    Artist & Victor H. Labat Professor of Art, Xavier University of Louisiana

  • Zoe Butt

    Curator & Writer

  • Raphael Fonseca

    Associate Curator of Modern & Contemporary Latin American Art, Denver Art Museum

  • Tumelo Mosaka

    Mellon Project Director and Curator, African American and African Diaspora Studies, Columbia University

  • Krista Thompson

    Mary Jane Crowe Professor of Art History, Northwestern University

  • Dyani White Hawk

    Multimedia Artist & Independent Curator

Our Sponsors

Prospect.6 would not be possible without the generous support of the following individuals, foundations, and corporations. We are deeply grateful to all of our supporters.